Jessie: Oh man, if I have to sit through ONE MORE play that focuses on the xenophobic consequences of economic turmoil, I’m going to...
Michael: Boy howdy. I hate things that do with things that happen now. Which is why I’m glad I got a chance to see Comedy of Errors down at Court Theatre on the campus of University of Illinois at Chicago last weekend.
Jessie: I was there too. Last weekend. That University sure knows how to throw money at a problem, and by a problem, I mean Sean Graney. This was a college production, right?
Michael: It must be. They can’t get very many actors into their queer theatre department, so there were only six of them. But what windows! Man, they put all kinds of money into windows. Which is good, saves on heating costs in the winter time.
Jessie: I will say, for college kids, they were pretty good. I’m not going to say great or professional, because they aren’t, but pretty good.
Michael: So, this play. Comedy of Errors is I guess about these two dudes who show up in this place and then get mistaken for these other dudes that already live there who talk a little different but look like the other dudes. Like, a lot.
Jessie: Yeah, for example: Alex Goodrich plays twin servants named Bro-meo. One is real foppish and muppet like. The other one, like, cares about his job. And doesn’t make as many dick jokes. That’s hows you can tell ‘em apart. Hey, speaking of muppets, you can check out the Jim Henson exhibit at the Museum of Science and Industry.
Michael: Aw, totally! That’s right nearby! I wish I had seen that play this week so I could have gone to that great exhibit first and had a good time before I went to a boring play. But anyway, Bro-meo’s boss/friend (played by Erik Hellman) is this guy Aristotle (and both of these guys, well, all four of these guys I guess have the same name, I mean, two of the guys...whatever. You’d totally get it if you saw it next week before it closes) and one of the Aristotles totally sounds like one of the Jersey Shore Boys.
Jessie: Note to reality TV casting directors: If you ever need to cast an Aryan Jersey Shore, call Erik Hellman.
Michael: Um, and me. Hello? I totally drink Becks and am German.
Jessie: Oh man, that’s true. What would your German Jersey Shore nickname be?
Michael: Herr-y?
Jessie: Oy.
Michael: Ja vohl! Anyhow, so these guys are getting mistaken for their identical looking and exactly named counterparts and they have these crazy wives who love these dudes and keep mistaking the other dudes for their dudes.
Jessie: Those wives are all played by Stacy Stoltz and Elizabeth Ledo. Who have really been given some great opportunities in this community, considering they are college students.
Michael: I was just happy to be a replacement in a late-night production of Psycho Beach Party at the Bailiwick when I was in college, and these chicks are tearing it up! Stacy Stoltz does more shows than Zero Mostel. And he’s dead!
Jessie: AND, she is totally dating the quarterback of the football team named Matt Hawkins.
Michael: Yeah, both their names and genetics are totally cut out for their chosen careers.
Jessie: Keep your eye on these kids, they might just make something of themselves once they graduate.
Michael: But back to that play thing. So this mistaken stuff goes on and on after we’ve gotten the gist of the joke in the first ten minutes. I heard this dumb writer dragged this out for, like, two and a half hours. I would have probably carved my chest out like a pumpkin (Halloween!) if I had to sit through one more minute of “Oh, you were there? I was here! No, you was there! I am was!” stuff.
Jessie: Thankfully, this turkey (Thanksgiving!) has been carved apart masterfully by the electric knife hands of Sean Graney. So it’s short and dumb. And has more blowjob jokes than you can shake a drumstick at.
Michael: Also, there’s some other college students whom I’ve seen in other Sean Graney plays, Kurt Ehrmann and Swarthy Steve Wilson really outdo themselves being a bunch of different parts other than themselves. There was one other woman in it too who was this totally sexy whore that made me feel all tingly, I’m not sure she was an actress, but I’d definitely like to hit it.
Jessie: I am pretty sure she was a real live whore that just wandered into the theatre. And everyone improvised around her.
Michael: I don’t care who she was. The PACKAGE on that girl. Daaaaaaaay-UM!
Jessie: Settle down, Michael.
Michael: I’m sorry, I got excited over her ruffles. They have rrrrrridges.
Jessie: Did you just steal a “joke” from an early 90’s chip commercial?
Michael: ...what?
Jessie: So anyway, at the end, every thing gets straightened out in a disco abbey, just like Shakespeare intended.
Michael: Yeah, the lighting design by TV’s Melissa Heather Gilbert in that part really set the mood. And it reminded me of that whot whore again. Which reminds me of her now...
Jessie: You should probably fill out a missed connection on craigslist for her. If she comes back to you, it was meant to be...
Michael: We’ve got to finish this up so I can wander 55th street with a flashlight and a metal detector. Whores like that always leave a trail of nickel-plated jewelry.
Jessie: Sounds like a safe plan. So shall we wrap this up?
Michael: Indeed.
Jessie: I give this play an A. Because the Hypocrites are the only theatre company that will hire me so I have to stay on their good side.
Michael: I’ll give it an A too, an A for the Aggravated Sexual Assault I’ll be committing on the South Side in about an hour. Whee!
Showing posts with label jessie fisher. Show all posts
Showing posts with label jessie fisher. Show all posts
Monday, October 11, 2010
Wednesday, September 8, 2010
Frost/Nixon at TimeLine Theatre (BY GUEST REVIEWERS MICHAEL PETERS AND JESSIE FISHER)
Jessie: Well, Michael, I attended the Frost/Nixon opening at Timeline theatre. You know, Timeline? That theatre where you performed in the hit musical Altar Boyz for two years with Will Allan?
Michael: I’m not familiar. Do you mean TimeLine?
Jessie: Oh...must be thinking of a different theatre then. But doesn’t Will Allan kind of look like Justin Bieber’s gay sister?
Michael: Oh yeah, totally. He’s got that look DOWN. But wait, let’s back up a second. You were at the grand opening of Frost/Nixon at TimeLine Theatre as well? That was the other totally awesome thing I was able to go to the other night! You were there?
Jessie: I was totes there. I saw you, but you were singing show tunes and weeping with the other Altar Boyz so I didn’t want to interrupt the ritual. Well, hey, now we can review that play, I guess.
Michael: I guess. Well, first and foremost, what hairlines! Hairlines in the 1970s were totally in! Big ones, widow’s peaks, thinning, none, what amazing freedom they must have had! I think that was after birth control and before, like, STDs and stuff, so everyone wanted to have really awesome hairlines to do it with. Chicks dig ‘em, don’t they?
Jessie: Hmm, yeah, I guess that’s true. Now that AIDS are around, I just don’t care about hairlines like I used to in the 70’s.
Michael: So, is this the part where we recap the plot for everyone who didn’t see the movie?
Jessie: Can they just YouTube the movie? I mean, do we have to explain everything? Like the political background leading up to the events? Do the readers of this blog know who Nixon was and all the amazing things he did?
Michael: I know, right? He totally brought Vietnam to an end and ushered in a new era of international diplomacy. He also totally undermined the people’s authority to have control of their government and stuff. Which was lame, so I guess that’s what most of the play was about. Like, how lame that was. And that, like, he should answer for it. Or something.
Jessie: But the man was a Quaker. Does that count for nothing anymore? Its like having an Aztec president basically because I’m pretty sure the Quakers have all died out.
Michael: They live on on oatmeal boxes at least. Well, alright, so there’s this preening English prick named David Frost (played by some aptly cast American named Andrew Carter) who’s like only a little famous, like Steve Zahn famous, and he wants to be, like, Jimmy Fallon famous. So he thinks interviewing Richard Nixon will make him Jimmy Fallon!
Jessie: I always confuse Steve Zahn and Giovanni Ribisi. Did they both play mentally challenged dudes?
Michael: I think they are the same mentally challenged dude, actually.
Jessie: Wow, lets move on before we lose our core audience.
Michael: So he decides to pay a bunch of money to Richard Nixon to get some interviews with him so that he can make him admit he’s a failure and a jerk. But, like, Richard Nixon is totally a smart guy so it’s really hard for him to be honest about stuff.
Jessie: Once you get him liquored up, its a different story.
Michael: Boy howdy! Can that man spew some truth! Every bit of that scene where he calls Frost all drunk rings like church bells on Sunday.
Jessie: I don’t get it because I’m Jewish.
Michael: Sorry, like...temple...chimes on...Saturday?
Jessie: Acceptable. We love chimes. Continue.
Michael: Cool. They go into the interviews and Frost is totally worthless and Nixon just talks over him and stuff and Frost gets, like, nothing out of him. So Frost goes home and gets blown by his hot English girlfriend and he has an epiphany! He goes to the last day of the interviews with both feet swinging, and the intellectual thrust and parry that ensues! Mwah! I could hardly keep up. Those guys are totally awesome at talking!
Jessie: So true! And when they aren’t awesome at talking, their sidekicks jump in and awesome talk for them. Like that guy who was played by Sam Rockwell in the movie. And the other guy who was played by Kevin Bacon in the movie.
Michael: Wow, those guys were cool too. Let’s just call them Sam Rockwell and Kevin Bacon from here on. And we’ll call the Nixon guy Frank Langella.
Jessie: Do we need all this background stuff? I mean, would that lady critic of the Tribune provide a backstory? We are professionals, Michael. I didn’t make these “professional critic” T-shirts for nothing.
Michael: I thought you did make them for nothing, you have your own silk-screen process in your bathroom, don’t you?
Jessie: Yeah, but that is for the clients. I just wrote in Sharpie over my Cubs t-shirt. I guess I wasn’t really committed to the idea.
Michael: So then they talk some more, and Nixon almost cries and stuff because he blurts out that he’s an illegal immigrant or something, and apparently that was bad because...
Jessie: Wait, shouldn’t we leave the end as a big surprise?
Michael: You’re right, I got totally excited from all the jabs and thrusts from Frost and Nixon. You all should just go see it. Nobody can possibly know what happens unless they go see the show (or rent the movie, or watch the actual interviews, or read the many books by various firsthand participants in the interviews)!
Jessie: Well, I will say I liked this show. It was like watching a boxing match minus the awkward and violent homoerotic vibes and blood.
Michael: I agree, I’ll say I liked it too. Except I saw it before on a pirated DVD my roommate had, and we all know that theatre can never be as good as a movie because they’re more expensive. Just ask Michael Bay. He did a really terrible production of The Emperor Jones that I saw. Fine direction, but it was bad because there wasn’t any money.
Jessie: So go see Frost/Nixon. And write a better review than we just did. I dare you.
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