Showing posts with label oracle. Show all posts
Showing posts with label oracle. Show all posts

Tuesday, May 7, 2013

The Mother (Oracle Productions)


You know how we are always talking about the Bolshevik Revolution?

Well, this play is about how it got started! Or ended? This is before it started, actually. I think?

Let's start at the beginning.



I have spent a lot of time at Oracle Theatre. They are a proud group of guys and gals that put on good plays and are dusting your theatre with technology. They are way ahead of you as far as use of technology in theatre goes, unless you are the Goodman or Blue Man Group. So it was disconcerting to walk into the theater and see lots of work tables and tons of actors dressed up like poor people sleeping everywhere.

"What the hell is this?" I said to the usher. It was sort of like I was in a work camp. I thought those were only in the Holocaust in Germany, so I thought that was where this play was set. There was this blonde lady dressed up like Else the Nazi from Indiana Jones (an incredible and chilling DeChantel Kosmatka) , and she was sort of walking around and telling these actors in poor people clothes to stop sleeping.

They were walking on these tables that are all over the  theater. Stepping over our heads. On the screens are projections of worker camps. Sick people on the screens, mean people on the tables. No drinks. "This is like a slow Tuesday night at Coyote Ugly, eh?!" I joked to a stranger next to me. No answer.

"Take off that Nazi uniform!" I screamed at Else from Indiana Jones. No answer. "Oh great." I laughed to another audience member, "This broad is stay in character for this whole show." Again, no answer. Am I even alive? Is this a dream?

Then they closed the door and the show started!

It started with this incredible song. I mean, it was really beautiful. It was about all the problems that these people have. Now, there are tons of people on stage. They are all dressed like Oliver with the gloves and grubby hats.

* A note to all costume designers- If you want to show us a poor old-timey white person, they MUST have fingerless gloves.  

So these guys are all singing about the problems in Russia (not Germany) and how poor they are. I don't know anything about Russian history, really so this was pretty interesting. What sort of problems do they have?

Once the song ended and the dialogue began, one lady (a super attractive for a poor old mother Katherine Kebelein)  explained to us that she only had a little tea left, and that if she had to make tea for everyone, it would probably be a little weak.

"What the hell? Is this going to be a show about white folks complaining about tea? Come ON."

But no. See, her son is a leader of this group that hands out leaflets to people at worker camps. The leaflets say things like, "Rise Up, Workers" and stuff. I am not totally sure why, but I think they weren't being paid well. Or they made them be there? Should you revolt from a place that you don't even have to be at?

Well, it sort of got me thinking about the leaflets. These little flyers that they are sneaking to people. These were often called "propaganda" because they spoke for a side of a political party. So it made me think about....what if we had propaganda things nowadays? They would have to be internet memes. So I made a few to show you what they are a little better.

People would really get behind this one:


and now that we know that people love cute animals more than crazy pictures of Stalin, this would have been  better:

and this one would still be useful even today:



So basically, these poor factory workers were spreading memes all over town and teaching people to read (which is an important step in the spreading of information), and the other political party were so sick of it, they decided to kill them. 

So that's what this play is about. It sounds heavy, I know. It WAS heavy, but it is also a Brecht play, so there are songs and familial relationships that make it seem...almost cartoonish in the best possible way.

Brecht (if done correctly) can tell us huge, complicated stories with standard 2 Dimensional characters. The names, the movements, the non rhyming songs, are all tools he uses to make everything seem familiar. That is why he has survived and also why people still love to do his work. Except for Mother Courage, because that play is boring as shit. 

These characters are larger than life and symbolize all of our struggles for all generations, not just these Bolsheviks.

Max Truax has cast this thing perfectly. The voices, faces and table walking abilities are second to none.

I wouldn't have minded a live band, but who am I? Burt Reynolds? I don't need a live band everywhere I go.

Go and see this play. Seriously. It is a really good time, disguised as a lousy time. Also, they hand out free paper at the end.

A+

-Anderson Lawfer, Eric Roach






Monday, February 8, 2010

The Castle at Oracle Theatre (Play)

I enjoy seeing all kinds of theatre. Opera, dance, and even some folk dance. I also enjoy the theatre of war.
Now, this is all well and good until Friday night, when my wife and I decided to drink in a performance of "The Castle" by Howard Barker at Oracle Theatre.
Oracle is a company that I have quite a history with. The old Artistic Director, Aaron Shapiro and I, used to get very drunk together and muse about women, and one time I threw up red wine on his new white carpet. But really, I think that is probably his fault, because what jerk has a white carpet? I mean, we were like, 25 years old, you have to imagine that things will get weird every now and then and the last thing you want to have when that happens is white flooring that can't be immediately cleaned. I mean, what if girls came over and we wanted to get freaky on the floor? Well we'd have to find some trash bags or something for the ground because I like my sex with lots of body liquids everywhere so that's your first problem.
Now it's funny that you should mention sex with lots of body juices, because that's what "The Castle" was for me.
Immediately when I walked in, the place was packed! I wasn't sure if we would be able to get a seat, but luckily I had called ahead, so there was a space reserved for us in the front row.
First, I'd like to give special acknowledgement to Eric Van Tassel, a giant in our community for working diligently as a tech director and stage manager (both women's jobs) and doing them without any complaining as far as I saw. Great job Eric!
The play is about a young crusader (Jason Rice) who returns from killing Muslims in the middle east to find his homeland in upheaval. His wife is in love with a witch, his assistants won't listen to him anymore, and he talks really loudly so everyone knows what he is talking about. Joining him at the castle: his friend Nailer (played with exquisite ingenuity by the illustrious Casey Chapman) and this other guy with a stick (Jackson King, an incredible new talent) who has sex with the lady who lives at the castle maybe? I know she had some kids out of wedlock, I think. It was hard to figure out what was going on.
But one thing I could say, I sure would've liked to have had some kids with the lady of that castle ( a thinks-she-is-so-much-better-than-me Rachel Boller)!
The room, (thanks largely to Ben Fuchsen and Justin Warren for cleaning up and letting Chris Neil and Kristina Carr build a very sturdy set) was filled with energy and all the actors seemed to have a pretty reasonable idea of what was happening next, and what they were going to do after the show was over.
I'm glad I stuck around with my wife after the show was over, because I really wanted to meet the actors since they did such a marvelous job. For example, I had always wanted to meet David Borren, a Chicago theatre staple, and I had my chance! Just when I was about to become a big nerd and embarrass myself by gushing over his catalogue of achievements, a young fresh actress, Victoria Gilbert (great in her role as the witch) took her top off and started shotgunning beers for everyone to see. Well, my wife is not one to be outdone, so she was next and the girls poured beer all over each other and giggled while the men tried to ignore this and continued to play hangman.
Listen, I can't make you see a play. I can only recommend it. But listen, the people at Oracle theatre will give you beer and a great show and you can meet them afterwards and play hangman, and then they will get naked.
So think about it.




The Castle by Howard Barker
A+


-Anderson Lawfer, Eric Roach